Paramount has set the release of the upcoming horror film “Primate” for January 9, 2026 and has moved back Edgar Wright’s adaptation of “The Running Man” one week to November 14, 2025. “Primate,” ...

Julian Schnabel will receive the Cartier Glory to the Filmmaker Award at the 82nd Venice International Film Festival, which runs from Aug. 27–Sept. 6. The festival made the announcement on Wednesday.

Range Nashville banner Paint Horse Pictures launched Wednesday with the announcement of its first feature film, Cowboy, which has begun production. The film hails from director Cameron Duddy in his ...

Cinematographers break down the cameras, lenses, and looks of films premiering at Cannes in 2025. As we do every year, IndieWire reached out to the cinematographers whose films are showing at the 2025 ...

EXCLUSIVE: BAFTA and Academy-Award-winning indie production company Cowboy Films has secured the rights in a competitive situation to adapt Cat Fight, the novel by Kit Conway, for TV. The deal was ...

The production company behind the 2023 film Better Half called the couple’s upcoming body-horror film a “blatant rip-off” Released in 2023, Better Half was written and directed by Patrick Phelan and ...

IFC Films is rebranding to Independent Film Company (IFC) with a new logo and a renamed parent, IFC Entertainment Group, taking on a higher profile within AMC Networks. The 25-year-old New York-based ...

Google and Range Media Partners are joining forces to launch “AI On Screen,” a program commissioning short films from filmmakers and a range of voices across genres that delves into the complex ...

Asia's most prestigious film honors were handed out Sunday night at a glitzy ceremony inside Hong Kong's gleaming Xiqu Centre. By Patrick Brzeski Asia Bureau Chief Indian filmmaker Payal Kapadia’s ...

Danish Oscar winner Thomas Vinterberg will receive the Nordic Honorary Award at Sweden's top film event. By Scott Roxborough Europe Bureau Chief The Brutalist picked up three Golden Globes this Sunday ...

“The second answer is exactly what we do in Cannes. It is not about: This is good, this is bad. It is not about: I love it, I hate it. It’s about: Does this film deserve to win Cannes or not? Do we ...