In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), ...

Writer, Juliet Jacques: There’s a lot of power and resistance in refusing to use the body entirely in the way that Cahun does in their photomontages. I’m Juliet Jacques. I am a writer and filmmaker ...

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Artist, P Staff: My name is P Staff. I’m an artist and fan of Greer Lankton. In this moving image work from Greer, you can see that she is thinking about movement, dance, anatomy, joints, the way the ...

Narrator: The American artist Suzanne Jackson made Wind and Water in 1975, using acrylic paint and pencil on canvas. The painting is a diptych, meaning there are two canvases hung side-by-side. Each ...

Artist, Jaune Quick-to-see Smith: My name is Jaune Quick-to-see Smith. The title of this work is Paper Dolls for a Post-Columbian World (With Ensembles Contributed by the U.S. Government). These paper ...

Curator, Lanka Tattersall: In this gallery, we see artists who are interested in forms that oftentimes look very abstract, but reference physical states. In Maren Hassinger’s Leaning, you see these ...

Artist, Lorna Simpson: I’m thinking about language and image and construction of self. My name is Lorna Simpson. You are looking at my untitled work from 1992. The top row consists of black boxes with ...

I was privileged to have this big studio space that I could just really break out and paint. I could even dance while I was painting. I think there’s a great deal of movement in the paintings with the ...

Curator, Lanka Tattersall: We’re looking at a work by the artist Martine Syms. It is a wallpaper that is full of images that come from Martine’s own archive of photographs, GIFs, videos. Syms ...

Artist, Harmony Hammond: Working with fabric and sewing techniques, it was just in the air at the time. And there were many of us doing it because of their gendered associations. Hi, I’m Harmony ...