The actor said he “turned over every stone” to play the folk icon in 'A Complete Unknown,' which earned him an Oscar nomination for Best Actor
Joan Baez and Bob Dylan are two of the most iconic musicians of the ’60s, and while they’ve always had a devoted following, the Oscar-nominated biopic A Complete Unknown—where Monica Barbaro plays Baez alongside Timothée Chalamet’s Dylan—has put them back at the forefront of the cultural conversation and introduced them to a new audience.
Last year it was Amy Winehouse and Bob Marley. Up soon are a quartet of films about the Beatles (an impending Michael Jackson biopic has reportedly run into legal woes). Why is this genre playing on repeat?
Bob Dylan’s "Like a Rolling Stone" is a hit once again in the United Kingdom this week as it debuts just outside the top 40 on two charts thanks to A Complete Unknown.
It might at first seem obvious why filmmakers won’t leave the subject of Bob Dylan alone. Search “Dylan” and “movies,” and the list — from documentaries like “Don’t Look Back” (1967) to fictionalized treatments like “I’m Not There” (2007) — turns out to be surprisingly extensive.
Tutor to the stars and session pro Larry Saltzman shares what it was like to teach Chalamet the nuances of Dylan's playing, which the actor recently showcased on Saturday Night Live
Bob Dylan's The Very Best Of compilation is soaring on the charts after the success of A Complete Unknown, and it even gives the rocker a new top 10 hit.
The singer's increase in streams following "A Complete Unknown" highlights how music biopics can elevate an artist's popularity to new heights
Timothée Chalamet learned to play guitar and sing like Bob Dylan for “A Complete Unknown.” He also gained 20 pounds to look more like the folk music legend, he revealed an interview with NPR. “I’ve turned over every stone.
The ‘A Complete Unknown’ actor created a special hoodie with Nahmias in honor of his film. “The collaboration came about naturally,” Chalamet says.
A COMPLETE UNKNOWN **** This biopic of Bob Dylan’s early career in the 1960s is an evocative moment, one that director James Mangold (with co-scriptwriter Jay Cocks) has spun in