From Emilia Pérez and its 13(!) nominations to the profoundly gross The Substance getting a Best Picture nod, the 2025 Oscar nominees addressed big social and political issues, all to varying degrees.

The Substance won the Best Feature Film prize at the Girls on Film Awards in London on Sunday. Writer-director Coralie Fargeat took to the stage at the Curzon Bloomsbury to accept the award for her second feature,

Denver Film Critics Society released its list of awards Friday for the best in cinema for the year 2024. Taking the most honors, including the top award of Best Film, was “Dune: Part Two.”

Oscar nominations arrived Thursday morning, six days after they were originally scheduled to be announced, though with all that has happened to our city, doesn’t each day

Director Coralie Fargeat was in attendance to collect the award for her body horror title 'The Substance' with Demi Moore and Margaret Qualley.

Pamela portrayed Shelly Gardner, a middle-aged Las Vegas showgirl who discovers the revue she performed in for three decades is closing. The film is based on the unproduced play Body of Work by Kate Gersten, who adapted the screenplay.

The members of the film academy voted to honor a few outliers — and overlook a couple of hopeful contenders — at the 97th Academy Awards.

From big-budget blockbusters like Dune and Gladiator II to introspective dramas like Conclave and Hard Truths, these are the top 10 films of 2024.

Mike Leigh’s uncompromising latest film is harrowing and hilarious, centred around a fearless lead performance by Marianne Jean-Baptiste Chantelle (Michele Austin) and Pansy (Marianne Jean ...

Marianne Jean-Baptiste, 57, was born in south London and trained at Rada. Her breakthrough role was in Mike Leigh’s 1995 film Secrets & Lies, which led to Oscar and BAFTA nominations.

British actress Marianne Jean-Baptiste has said she feels like society is “going backwards in time” after Donald Trump was elected as the US president. The 57-year-old, who is nominated for ...

The immaculate outside of Pansy’s (Marianne Jean-Baptiste) suburban house disguises the constant tension inside. For her, life is difficult: she is agoraphobic, depressed and constantly angry ...